Last winter, Adela Najarro came to us with a brilliant proposal: let's make a chapbook that includes thoughtful critique and provoking questions, which can be easily used by teachers and readers.
We said absolutely!
In conjunction with the Puente Project and Adela Najarro's poetic finesse, we have been luck enough to make such a chapbook.
Najarro feverishly wrote the chapbook with all of the details for each poem and it is available for purchase via Amazon on January 27, 2017.
If you haven't heard of Adela Najarro's poetry, you should take a pause from whatever you're reading right now and scoop up her book Twice Told Over or Split Geography (or both!).
Whenever I finish a really good book—one of those books that keeps you up at night, begging to be finished, that makes you think about something completely differently, that inspires you to create something that beautiful and thought-provoking, yourself—I immediately wish I could talk to the author. Sometimes I’m dying to ask the writer about their plot choices, but mostly I just want to know how. How’d they do it? How did they come up with the idea? How did they survive the grueling process of writing and editing? I want to know all about their process and experiences and habits, anything to give insight into the amazing feat of writing a book.
If you’ve ever felt the same way, then you’re in luck. We’ve invited some of Unsolicited Press’s fabulous poets and writers to join us for a little round table Question-and-Answer. Some questions are serious, some are silly, and all are interesting. Read on to meet some of our authors and find out about the behind the scenes process of writing.
To read what the authors had to say, click to read the article. This is a longer piece, but I hope it stimulates conversation!!!
How to Read Poetry Properly
Poetry is complicated. It’s often vague and flowery and most of it doesn't even rhyme. You would think you’d need a PhD in grammar to read some of the best poetry out there.
I remember the first poems I read were of the mass-produced sort in a Barnes and Noble edition of Emily Dickinson. I loved them. I’m sure it had something to do with the strange connection I felt with Dickinson. A bookworm like myself can easily relate to a recluse whose sole interests lay in family and literature.
I remember trying to write my own poetry. I was not very good at it. I wrote poems about the very serious unrequited crush I had in middle school. Then I would write one about a puppy in a window. I was all over the map. After that, I kind of lost interest in poetry until high school and college.
In college, I found slam poetry and a handful of poets with a cause. I also found open-mic nights. Now, even though fiction is still my first love, poetry is a close second and I am always searching for rising poets with unique voices and insights.
But I started out thinking poetry had to rhyme and it usually had to be about something extremely depressing like death and ravens. But poems can transport us, touch us and move us to action just as any other form of literature can. You just have to know what to look for.
Unsolicited Press published a collection of poems by Adela Najarro, entitled “Twice Told Over.” Najarro is an accomplished poet influenced by her Hispanic background and her family’s emigration from Nicaragua to San Francisco. “Twice Told Over” will be her first collection of poems.
To enjoy Najarro’s wonderful collection, here are some tips to get you to the next level of poetry analysis and subsequent enjoyment.
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