Anne Leigh Parrish's collection By the Wayside released just a week ago and the reviews are really swell. We wanted to share one of our favorites with you, written by Chrissi Sepe on Amazon:
Anne Leigh Parrish's stories hit an emotional nerve which ensures you will remember them. One of my favorite stories in her newest collection, "By The Wayside," is "Where Love Lies." It is about a woman named Dana who moves to a quiet, yet gossipy, island town to escape her former life. Her self-esteem is wrecked, and she wants to start over and rebuild her confidence and heal herself through her love of painting. However, as she befriends an older man and finds herself attracted to another man closer to her age, she realizes that this beautiful island town is everything but serene, and danger lurks because, as she says: "Hating was far easier than loving, and came more naturally."
Yet Dana survives, as Parrish's female protagonists seem to do. No matter how difficult situations get for these strong women, they persist and often turn out wiser and more confident and capable than they were when we first met them in their stories. Not only do we as readers discover shocking truths about them, but the characters themselves are often surprised at the capabilities they hold inside and of what they are able to achieve if they just have the courage to speak up or to make changes in their lives.
In "How She Was Found," lead character, Fiona, begins the story described as a "mouse." She is compliant and insecure, and these traits are not likely to serve her well when she sets out as the only female on an archaeological dig with her professor and three male fellow graduate students. When she finds the bone of a human hand, she believes her professor will finally take her seriously, as she feels he never listens to her.
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Hominis does a helluva a job creating vibrant paintings in your brain with nothing but static text, helping explore the vast worlds of love and humanity.
Note: To be fully transparent, Ohan is like a brother to me. I see no point in writing an intentionally nebulous review that aims to obfuscate that fact, and I'll actually be leveraging our collaborative friendship to illuminate the power of this collection.
What is poetry? What is love? What does it mean to write the first, and feel the second?
While we may never fully grasp these concepts fully, I have full confidence that a conscious read of Ohan Hominis' Scattered Allegories will do exactly what the title suggests: shatter the shackles holding you in that metaphorical cave, allowing you to see at least some sliver of formerly distorted light. This poetry is real and raw, yet crafted with careful intention that brings you through the initial experience and subsequent analysis of a human being capable of sensing and communicating an impressively broad spectrum of thought and emotion.
This poetry will make you raise your eyebrows. It'll make you smile, smirk, and laugh. It may make you cry — though perhaps not for reasons you might expect. Some of it will likely turn you on, since certain scenes are reminiscent of depictions on Grecian urns. To quote an unassuming bystander following the performance of one of these poems: "That was sexy."
Above all else, though: this poetry will make you feel.
If the aim of prose is to communicate concrete ideas while also keeping the ethos engaged, poetry takes the opposite approach, assailing the senses to provide the reader or listener with something concrete — but something that only they could provide to themselves. So while Hominis speaks of his own experiences in exquisite detail, they draw parallels to your own experiences, and allow you to walk away with newly discovered pieces of yourself.
As a writer whose aims for poetry are more concrete and didactic, I'm seriously inspired by this collection. While it can be enjoyed by all, it's a reminder to writers in particular that there is no proper way to communicate a message — that the seemingly simple though actually quite difficult task of being true to your own feelings is all you must do to reach other minds. Hominis reminds us that this is in fact the only way to communicate anything concrete.
If you're a fan of poetry, there's no question that you'll enjoy this work. It's refreshingly unique and authentic, and represents a legion of artists who recognize that the purpose of creation is to create what is real to the creator. This is, after all, the only way that it can be real to anyone else.
If you're not into poetry, then simply forget the word poetry and pick up this collection of verbalized memories and sentiments as a means of opening your own perspective to whatever you've been missing.
There is an immense beauty in every walk of life, and works like these — due to their careful exploration of important ideas, while maintaining accessibility — are pivotal in helping us appreciate it.
In the opening and title story of his riveting collection, Timothy O’Leary returns fire, blasting the S.O.B. Cheney with true facts spun out by a fictional victim in a most entertaining way. As with all of the stories, O’Leary’s exuberant, fast-paced style bobs us down rivers of his savvy takes on the cultures, fun, fears, and realities of our time.
“One Star” gets into the heads and hearts of a struggling immigrant restaurant family and struggling, married, U.S. born customers disappointed by a declined Groupon. A drunken Yelp-like review exposes a cleavage too often exploited by politicians and leading to consequences both sides regret.
A has-been sitcom actor was content with his life of booze and pussy as a travelling stand-up comic until he is blind-sided by an up-and-coming talent using the technology and tools of today in “Hecklers.”
A widower who avoided cell phones and blames them for the death of his wife takes another look at his departed wife and the phone’s benefits when the neighbor boy shows him a video of her at her best in “The Tower.”
Each story in this collection is a gem of thought, language and craft. Some are funny, some are darkly funny (e.g., “Adolph’s [Hitler] Return”), and others are dramatic. All are superbly entertaining. Together, they process and contextualize the world around us from the perspective of someone who has been paying attention for the past four decades.
Personally, I finish about one in every nine books I begin. I finished this one in no time. My biggest criticism is that I wish there were even more than eighteen stories.
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