Praise for DON'T PITY THE DESPERATE
Myra is in deep trouble, exactly the sort of trouble American teens find themselves in, here in the centerless middle of endless suburbia, of late stage capitalism, driven by longings she cannot control or decipher. In a voice that rises up out of her deepest insecurities and denials, DON’T PITY THE DESPERATE tracks Myra’s progress toward her own truth, or at least a self that is by degrees more survivable, and there is much bravery and beauty in the telling. This deep-hearted, penetrating portrait delivers the thing I want most in any story: the feeling that the writer’s life depended, at least a little, in getting it on the page.
—Pam Houston, author of Deep Creek and Finding Hope in the High Country
From page one, DON’T PITY THE DESPERATE is riveting, encompassing the grief, confusion and, yes, the desperate wanting of a young addict named Myra who has lost her way. Deadpan, darkly humorous and profoundly touching, Moore’s novel is full of knife-sharp insights about rehabs and recovery – and I fear those insights are as true today as they were in the 1980s, when this story is set. Is recovery possible? And what, exactly, are we recovering from? Vivid and evocative, Moore’s story is unforgettable. It lingers in my imagination still.
—Samantha Dunn, Author of Failing Paris and Not By Accident: Reconstructing a Careless Life
An unsparing examination of the kids who use and the imperfect program designed to save them, this novel spares the reader nothing. In prose that is razor sharp yet dazzlingly beautiful, Anna B. Moore probes “the spot between feeling and truth,” stirring hope and compassion for us all. A riveting debut.
—Rob Davidson, author of Welcome Back to the World: A Novella and Stories
Moore has written a beautiful vault of truths.
—Josh Mohr, author of Model Citizen and Damascus
In beautiful, harrowing, and often funny prose, Anna Moore’s DON’T PITY THE DESPERATE knits together all the feelings and realities of trying to emerge from addiction– the pathos, the gallows humor, the family difficulties, the regeneration of self – into a compulsively readable novel constructed of lovely sentences and electric scenes. Moore builds the book’s central character, Myra, with such a deft hand, with such nuance, delicacy, and believability. Moore's dialogue and secondary characters pull you from page to page, each remarkably vivid and each its own whole world. You will root for Myra at every stage of her journey. A truly compelling, moving, and well-crafted look at the complexities of recovery.
—Amy Stuber, author of Sad Grownups
Moore has written a book that uncannily and stunningly gets inside the mind of a teenager struggling with loss, identity, self-worth, confusion, doubt, and hormones–all while in rehab. As a reader, we are both rooting for Myra and remembering when we were Myra, with all the swirling issues of adolescence on top of life itself. It’s beautiful, tender, and tough all at the same time—mirroring the subject she so deftly writes about.
—J.J. Elliott, author of There Are No Words For This
Moore’s kaleidoscopic look at the pain and confusion of early recovery is unapologetically raw and unfiltered. In its conflicted portrayal of the teen rehab experience and the challenges of surrender, DON’T PITY THE DESPERATE reflects on absence, trauma, desire, and desperation, all within the fluid and chaotic state of adolescent identity. The center of this novel is a triad of questions every addict has asked: What would it be like to feel less alone? Is there a God? And what would it take to choose life?
—Tara Stillions Whitehead, author of They More Than Burned and The Year of the Monster
Anna B Moore has the rare, remarkable ability to embody young characters with authenticity and intensity. You open DON’T PITY THE DESPERATE and are instantly immersed, immediately drawn into what is real and true in the lives of these almost-adults. Moore opens a window into the world of teen recovery, a world many don’t know much about, and she writes with precision and compassion. There is such love in these pages, such care for these kids. By the end, I was profoundly changed by Myra’s story, and by all of the complicated people who’d come so alive on the page.
—Hannah Grieco, editor of Already Gone: 40 Stories of Running Away and And If That Mockingbird Don’t Sing: Parenting Stories Gone Speculative
—Pam Houston, author of Deep Creek and Finding Hope in the High Country
From page one, DON’T PITY THE DESPERATE is riveting, encompassing the grief, confusion and, yes, the desperate wanting of a young addict named Myra who has lost her way. Deadpan, darkly humorous and profoundly touching, Moore’s novel is full of knife-sharp insights about rehabs and recovery – and I fear those insights are as true today as they were in the 1980s, when this story is set. Is recovery possible? And what, exactly, are we recovering from? Vivid and evocative, Moore’s story is unforgettable. It lingers in my imagination still.
—Samantha Dunn, Author of Failing Paris and Not By Accident: Reconstructing a Careless Life
An unsparing examination of the kids who use and the imperfect program designed to save them, this novel spares the reader nothing. In prose that is razor sharp yet dazzlingly beautiful, Anna B. Moore probes “the spot between feeling and truth,” stirring hope and compassion for us all. A riveting debut.
—Rob Davidson, author of Welcome Back to the World: A Novella and Stories
Moore has written a beautiful vault of truths.
—Josh Mohr, author of Model Citizen and Damascus
In beautiful, harrowing, and often funny prose, Anna Moore’s DON’T PITY THE DESPERATE knits together all the feelings and realities of trying to emerge from addiction– the pathos, the gallows humor, the family difficulties, the regeneration of self – into a compulsively readable novel constructed of lovely sentences and electric scenes. Moore builds the book’s central character, Myra, with such a deft hand, with such nuance, delicacy, and believability. Moore's dialogue and secondary characters pull you from page to page, each remarkably vivid and each its own whole world. You will root for Myra at every stage of her journey. A truly compelling, moving, and well-crafted look at the complexities of recovery.
—Amy Stuber, author of Sad Grownups
Moore has written a book that uncannily and stunningly gets inside the mind of a teenager struggling with loss, identity, self-worth, confusion, doubt, and hormones–all while in rehab. As a reader, we are both rooting for Myra and remembering when we were Myra, with all the swirling issues of adolescence on top of life itself. It’s beautiful, tender, and tough all at the same time—mirroring the subject she so deftly writes about.
—J.J. Elliott, author of There Are No Words For This
Moore’s kaleidoscopic look at the pain and confusion of early recovery is unapologetically raw and unfiltered. In its conflicted portrayal of the teen rehab experience and the challenges of surrender, DON’T PITY THE DESPERATE reflects on absence, trauma, desire, and desperation, all within the fluid and chaotic state of adolescent identity. The center of this novel is a triad of questions every addict has asked: What would it be like to feel less alone? Is there a God? And what would it take to choose life?
—Tara Stillions Whitehead, author of They More Than Burned and The Year of the Monster
Anna B Moore has the rare, remarkable ability to embody young characters with authenticity and intensity. You open DON’T PITY THE DESPERATE and are instantly immersed, immediately drawn into what is real and true in the lives of these almost-adults. Moore opens a window into the world of teen recovery, a world many don’t know much about, and she writes with precision and compassion. There is such love in these pages, such care for these kids. By the end, I was profoundly changed by Myra’s story, and by all of the complicated people who’d come so alive on the page.
—Hannah Grieco, editor of Already Gone: 40 Stories of Running Away and And If That Mockingbird Don’t Sing: Parenting Stories Gone Speculative
About the Book
Don’t Pity the Desperate tells the story of Myra, a self-aware teenage girl who perseveres when her father admits her to an inpatient treatment center against her will. Under tight surveillance, Myra must confront both her alcoholism and her compulsion to pull out her hair. She finds hope in faith and confession, two key principles of recovery. As her peers—an ensemble of abused, neglected, and sometimes unrestrained addicts—grow to rely on the solutions offered at Our Primary Purpose, Myra decides to follow the rules. But when her counselor betrays her, her boyfriend rejects her (doesn’t he?), and God remains indifferent despite her prayers and devotion, Myra must twist her narrative to move forward. Her quest for love and acceptance is a dark anthem of Gen-X pop culture and an affirmation of the suffering of growing up.
About the Author
Anna B. Moore has been publishing creative nonfiction, essays, and short fiction in a variety of literary journals and magazines, including The Missouri Review, The Offing, and Identity Theory. Two of her essays were nominated for Sundress Publications’ Best of the Net in 2022; another was a Notable Essay in Best American Essays 2022. Her first novel, Don’t Pity the Desperate, is due out on September 10, 2024, with Unsolicited Press. She lives in Northern California, where she is working on her second novel. Read more of her work at https://www.annabmoore.com/.