  MATT LAFRENIERE is a husband, father, teacher, poet - not always in that order. He lives in Baltimore and teaches English at the Boys' Latin School of Maryland. His work has appeared in Dunes Review, Rat's Ass Review, Pilgrimage Magazine, Main Street Rag, Schuylkill Valley Journal, Spry and elsewhere. Matthew is the craftsman of DON'T TURN THE PROJECTOR OFF!.  Phillip Hurst is the author of a novel, Regent's of Paris, as well as a book of nonfiction, Whiskey Boys: And Other Meditations from the Abyss at the End of Youth, winner of the 2021 Monadnock Essay Collection Prize. His writing has appeared in literary journals such as The Missouri Review, The Gettysburg Review, River Teeth, Cimarron Review, and Post Road Magazine. He currently lives and writes in the Pacific Northwest.
Phillip is the author of The Land of Ale and Gloom: Discovering the Pacific Northwest.   Rachel Elliott is a native Canadian who migrated south (like the geese) to escape the cold. She lives in North Carolina with her husband, Brent, and dog, Swagger, and is a proud mom to two grown daughters. She would rather be at the beach than anywhere else and loves to find an adventure. An avid reader, and recreational writer, LOVE AND GENETICS is her first published work.  Mark MacDonald lives in Beaverton, Oregon with his wife of twenty-one years, Tina, their two children, Zoe and Alaska, and seemingly countless pets. His day jobs are engineering technology development and education. He is an unabashed science nerd and an avid supporter of women in STEM fields. An author of numerous academic publications and patents, LOVE & GENETICS is his first popular non-fiction work.  Joseph Allen Costa is a freelance writer and adjunct English professor in Tampa. He received his MFA in creative writing from the University of Tampa and his BA from the University of South Florida. His short fiction has appeared in BULL men’s fiction, Rabble Lit, the HCE Review, The Write Launch and in December Magazine as a finalist for the Curt Johnson Prose Awards. Costa is the author of three novels (The Good, The Bad and The Goalie, Discovering Dynamite! and Eye of the Storm), and one linked collection of short fiction (Comets, published by Unsolicited Press).
If you could cook dinner for any author, dead or alive, who would it be? What would you make?
For sure, the late Eve Babitz (preferably pre-sobriety Eve Babitz/Eve Babitz during her sowing-wild-oats prime). I guess I’d blend up some cauliflower soup as a first course before stir frying noodles and veggies in sesame oil and oyster sauce because I’m a lazy cook and these are two of my quickest and easiest hot and homemade crowd-pleasers, healthy enough for a lifelong Southern Californian, yet starchy enough for a lifelong-maverick Southern Californian. What scares you the most about the writing process? How do you combat your fears? Revisiting incredibly unpleasant memories. I combat this fear by taking my sweet time when it comes to putting a longform piece of personal writing together. Procrastinating and distracting myself with as much as possible for weeks or months on end. Which helps to explain why it took me 11 or so years to write a book that’s not even 200 pages. Who is your biggest literary crush, author or character? Anne Shirley, although I confess that I saw/fell for the 1980s PBS adaptation of Anne of Green Gables before reading any of the books in the series (and that I didn’t take to the books as much). What books are on your nightstand? Nadia Owusu’s Aftershocks, Eric Nguyen’s Things We Lost to the Water, and Gabrielle Union’s We’re Going to Need More Wine. Favorite punctuation mark? Why? The slash (it even sounds so take-no-prisoners). You’ll notice I’ve already used it more than once within these responses. As an indecisive Libra, I’m often torn between which of two words to go with and ultimately can’t/won’t commit to just one. What book were you supposed to read in high school, but never did? I vaguely remember skimming a lot of the tail end (and maybe parts of the middle section too?) of Tolstoy’s Anna Karenina - which I (for some reason) chose to read for some kind of an independent study-esque assignment. It didn’t grab me and was too long. What inanimate object would you thank in your acknowledgements? I have two: (1) pens/pencils; and (2) paper. For much of my adulthood, I’ve gone out of my way to keep both within reach at almost all times. So much of my personal writing pops into my head, and then gets written down before I forget, when I’m far away from my computer or at home but the computer isn’t on. I also use the Notes app on my phone to jot things down, but I can handwrite sentences/paragraphs much quicker than I can peck out the letters (while fighting off autocorrection attempts) on my keypad. If you could write an inspirational quote on the mirrors of aspiring writers, what would you write? “You’re living a writer’s life.” A local acquaintance once said this to me as we ate our Wendy’s takeout in the Staten Island Ferry Terminal on my lunch hour from a low-paying temp job, during one of my “woe is me/why is my life like this at my age” eras. I’ll always remember him saying “You’re living a writer’s life” in a very matter-of-fact/why don’t you get this? tone that instantly made me feel better and still does. Does writing energize or exhaust you? Both (75 percent energize, 25 percent exhaust), the same way everything and everyone I deeply care about does. What is your writing Kryptonite? Overuse of alliteration. Not everyone is as charmed with it as I am. Same problem with the slash. Have you ever gotten reader’s block? Yes, during periods of extreme exhaustion. Do you think someone could be a writer if they don’t feel emotions strongly? Sure, but this someone isn’t as likely to move the masses the way writers deeply in touch with their emotions (and aren’t afraid to show it) will. There’s a noticeable difference between the creatively sensitive wordsmiths and those who aren’t much more than competent grammarians who play by all the technical rules. What authors did you dislike at first but grew into? So far, nobody. I have very strong first impressions. When I don’t click with someone’s vibe or voice from the jump, it rarely has gotten much better for me from there. What was an early experience where you learned that language had power? Although I don’t remember the actual incident itself, my late mom was always tickled to tell me about a time when she and I (in my toddler days) walked past a huge puddle, after a rainstorm. I apparently pointed at the puddle and yelled “RIVER!” to the delight of at least one onlooker. Just later hearing that story and absorbing how much joy the comparison brought to my mom and this random person passing by (before I ever truly thought of myself as a writer) taught me about how effective the deployment of metaphors and analogies can be, in both creative writing and daily conversation. What’s your favorite under-appreciated novel? Terry Reed’s The Full Cleveland As a writer, what would you choose as your mascot/avatar/spirit animal? As I say at one point in my book, all animals are my spirit animals! What does literary success look like to you? This, right here - getting invited to answer these kinds of questions and finally reaching the ranks of book author! What did you edit out of this book? As a longtime proponent of Less Is More, I generally tried cutting content that didn’t seem to add anything new or particularly useful to the storytelling. I cut and reworded many sentences to better protect people’s (including my own, at times) privacy. I also replaced many instances of gratuitous snarkiness, judgment, and/or anger with more compassion because, on and off the page, empathy is the attribute I would most like to be remembered for. If you didn’t write, what would you do for work? I would be an editor – which is what I already do. It’s been my day-job career for almost 20 years.  PORTLAND, OR; March 17, 2022--The Land of Ale and Gloom: Discovering the Pacific Northwest spans the summer of 2016, a summer which saw Donald Trump rise to national political prominence, and—perhaps not without coincidence—saw the author awake to the rather gloomy realization that there remained just one thing in this life which still brought him true happiness: craft beer.
So he decides to make the best of it and explore the home of craft beer—the Pacific Northwest. As with any long and uncertain journey, a guide was required. Hence, the works of influential Northwest-inspired writers like Ken Kesey, Jack Kerouac, and Lucia Perillo, but most importantly, Robert Burton’s The Anatomy of Melancholy (1621), an encyclopedia of the human condition which just so happens to suggest that a cold beer might not be the worst medicine. Highlights include a kitschy Bavarian town curiously bereft of German beer, and a Viking fishing village awash with H. P. Lovecraft-inspired ales and Pokémon-obsessed teens. Also, a seaside dive serving Bud Light to the likes of Ted Bundy and the D.C. Sniper, a journey into the depressed coastal regions that gave birth to Kurt Cobain and Nirvana, Portland’s famed “Beermuda Triangle,” and the Salem mental hospital from One Flew Over the Cuckoo’s Nest. Finally, the Columbia River Gorge, where the beer and the waterfalls flow alongside a forgotten collection of Rodins and American Stonehenge, and lastly, the sun-drenched mountain town of Bend—a mecca known as “Beer Town, USA.” About the Author Phillip Hurst is the author of a novel, Regent's of Paris, as well as a book of nonfiction, Whiskey Boys: And Other Meditations from the Abyss at the End of Youth, winner of the 2021 Monadnock Essay Collection Prize. His writing has appeared in literary journals such as The Missouri Review, The Gettysburg Review, River Teeth, Cimarron Review, and Post Road Magazine. He currently lives and writes in the Pacific Northwest. About Unsolicited Press Unsolicited Press was founded in 2012 and is based in Portland, OR. The press strives to produce exceptional works of fiction, nonfiction, and poetry from award-winning authors. Learn more at www.unsolicitedpress.com. The publisher can be followed on Instagram and Twitter: @unsolicitedp The Land of Ale and Gloom: Discovering the Pacific Northwest by Phillip Hurst is available on March 17, 2022 as a paperback (354 p.;978-1-956692-03-7). The book will be distributed to the trade by Ingram. An e-book version is also available and an audiobook is in the works. The author is open to speaking with the media, holding readings, and engaging in other opportunities. What books are on your nightstand? Perfect Fools by John Saward, Black Bottom Saints by Alice Randall, Up North in Michigan by Jerry Dennis, and A Fine Canopy by Alison Swan. Does writing energize or exhaust you? Energizes! What are common traps for aspiring writers? Clinging to unnecessary words and lines. As Stephen King says, “Kill your darlings.” What is your writing Kryptonite? Laundry, cooking, cleaning, and driving my kid to and from basketball practice. I can’t wait until he gets his driver’s license. And then maybe I can figure out how to swing a maid. Have you ever gotten reader’s block? During the first months of the pandemic I couldn’t concentrate enough to read. Do you think someone could be a writer if they don’t feel emotions strongly? Sure, but I doubt their work would be interesting and worth reading. Readers want to feel something when they read a book. A lack of emotional energy will be conveyed in the narrative, the characters, and the writing will be flat. What other authors are you friends with, and how do they help you become a better writer? I belong to a group of women poets and writers whose work I greatly admire. Taking in their comments, questions, and insights over the years has not only kept me humble, it’s sharpened my skills and helped me think even more critically about my writing. There is something powerful in being part of a community of writers where you are not only receiving, but giving feedback, and helping to shape, in some small way, other’s work as well. Do you want each book to stand on its own, or are you trying to build a body of work with connections between each book? I want each book—just like I want each poem or essay in one of my books—to stand on its own. However, that doesn’t keep readers from seeing connections between them. How did publishing your first book change your process of writing? I don’t think it so much changed my writing process as much as it has made me recognize the collaborative aspect of the writing business. Working with publishers and editors is most definitely a partnership and with each of my published books, I’ve appreciated that back-and-forth experience. What was the best money you ever spent as a writer? A few years back, I spent (my husband says, “wasted”) twenty-five dollars on a mannequin I named Gladys. She moved from a neighbor’s garage to our living room. As I started decoupaging her, she became quite the muse. Gladys, along with some of the poems she inspired, recently took a trip to the Lowell Art Gallery to be part of their WordView exhibit. What authors did you dislike at first but grew into? This will probably sound cold, but I don’t like it when people or books waste my time. If I don’t engage with a book early on, I set it down and move on. While there might have been one or two authors in the bunch who could have grown on me, none have because I’ve abandoned them before our potential relationship could even bloom. What was an early experience where you learned that language had power? When I was about seven, I painted some rocks and then walked down Creston Street to Mrs. McHugh’s house. She was always giving us kids in the Westnedge Hill neighborhood candy and I wanted to give her something. “Rocks for sale,” I told her when she appeared. I mistakenly thought that “for sale” meant “free.” She gave me a quarter and after that I knocked on a lot of doors. I made a slew of money that day, maybe three or four dollars, and realized that words matter. When I returned home, I also learned that it is bad business to take money for rocks. My mother was quite upset and sent me back outside to return all the money. At that moment, Missy Martin came flying around the corner on her bike. As I couldn’t remember who gave me what, I just gave it all to Missy Martin. She took it, no questions asked. What’s your favorite under-appreciated novel? The Anthologist by Nicholson Baker. As a writer, what would you choose as your mascot/avatar/spirit animal? You not only have to have a thick shell, but you have to be steadfast and persevere to be a writer. So I would choose a turtle. I have always loved them. In fact, one of the first things I remember writing about involved turtles. What do you owe the real people upon whom you base your characters? “This family is a gold mine of stories,” my mother has told me throughout the years. I’m glad I finally listened to her and wrote Kissing the World Goodbye. So to my family members whom I unapologetically mined for this book, I owe them a copy of Kissing the World Goodbye. Al Haley is the nonfiction editor of Concho River Review. When he accepted the essay which also is the title of the book, he said of my sister, “She may be one of the best things that could happen to a writer and you get to be sisters to boot!” He’s right, and my sister probably deserves two copies. How many unpublished and half-finished books do you have? I have one unpublished 25,000-word manuscript that is geared to middle school readers who enjoy edgy fiction. While I have no half-finished books, I’m working on a poetry book about saints that is almost finished. I’ve also been chiseling away at another book but haven’t reached the half-way point with that one. What does literary success look like to you? Being able to write. Period. Krishna said something like, “You have a right to your labor, but not to the fruits of your labor.” Okay, now that’s weird. Krishna ended up surprising me and slipping into my book (the “Butter Love” essay) and now he’s making an appearance in this interview! What is going on? What’s the best way to market your books? I’ll let you know once this book becomes a best-seller. What did you edit out of this book? Some swear words. My sister has quite a mouth on her. If you didn’t write, what would you do for work? I’d be a hairstylist, funeral director, or a brick pointer. Books by Jennifer Clark PORTLAND, OR; March 15, 2022— In Jennifer Clark’s newest collection Kissing the World Goodbye, Clark leads us into the world of memoir, braiding family tales with recipes.
“Jennifer Clark’s memoir takes us right to the heart of the American family dramedy: the table, where the Zucchini Helper waits alongside Chicken Cordon Bleu—en casserole, of course, because this is Michigan. Clark braids family tales with recipes that you will want to try, if you grew up in the vast imaginary land sometimes called the Midwest. With an ironic edge and mordant wit that never compromises a deep and open heart, Clark invites us into a family that is nothing like yours and also a lot like yours, especially if you’ve ever felt like its only sane member, or the alien in the tribe, or the clan’s designated chronicler. Clark offers up her beloveds in all their exasperating, brilliant, incomparable uniqueness. When you close KISSING THE WORLD GOODBYE, you will already be missing her scientist father, in his gentle, wise intimacy with tiny invertebrate creatures; her mother, who always has something up her sleeve and who vanquishes incompetent bankers; her brother, epidemiologist and inspirational chef; and above all her sister, the exasperating and relentlessly loving Holly, queen of Costco and maker of killer strawberry-jalapeño margaritas. Jennifer Clark, who has worked mostly in poetry, here mines the secret of memoir: that in the ragged particulars of our lives lies the vast human story, full of yearning, grief, loyalty, intimacy, laughter, and appetite.” --Gail Griffin, author of Grief’s Country: A Memoir in Pieces, a 2021 Michigan Notable Book About Jennifer Clark Jennifer Clark is the author of three full-length poetry collections: A Beginner’s Guide to Heaven (Unsolicited Press), Necessary Clearings, and Johnny Appleseed: The Slice & Times of John Chapman (both published by Shabda Press). She is also the author of the children’s book What Do You See In Room 21 C? and the co-editor of the anthology, Immigration & Justice For Our Neighbors (both Celery City Books). Her newest collection Kissing the World Goodbye (slated for a March 2022 release by Unsolicited Press) ventures into the world of memoir, braiding family tales with recipes. About Unsolicited Press Unsolicited Press was founded in 2012 and is based in Portland, OR. The press strives to produce exceptional works of fiction, nonfiction, and poetry from award-winning authors. Learn more at www.unsolicitedpress.com. KISSING THE WORLD GOODBYE is available on March 15, 2022 as a paperback (198 p.; 978-1-956692-07-5) and e-book (all major retailers). The title is distributed to the trade by Ingram. ### Press only, Unsolicited Press Eric Rancino 619.354.8005 marketing@unsolicitedpress.com For artist interviews, readings, and podcasts: Jennifer Clark   Mick Bennett is what most writers start out as: human. A person with a rich background and an ever-shaping imagination that eventually unleashes itself onto paper. Bennett grew up in Belmar, NJ, two blocks from the beach. From moments as a lifeguard in New Jersey to bar tending in Pennsylvania to teaching English at all levels, Bennett is currently living his life building characters, plotting climaxes and kickin' ass wherever he goes. Mick Bennett holds an M.A. from Shippensburg University. But who cares because that didn't make him a writer. His dedication to the craft and ability to describe rich worlds make him a writer. Prior to publication with Unsolicited Press, Bennett self-published The Bread of Teaching in 2009. The book demonstrates Bennett's forward push toward publication with a press. Bennett has been married to his wife for nearly 31 years, and they have two children, Nathan, 26, and Erin, 20. His life is simple and simplicity is divine.  Originally from Brooklyn, NY, writer, poet, performer, and playwright, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of four novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, and No Man’s Brooklyn; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His produced, full-length plays include: LOBSTERS ON ICE, ADAGIO FOR STRAYS, THE BEST MEDICINE, ZEITGEIST, U.S.A., and WEREWOLVES DON’T WALTZ. Some of his primary influences and creative heroes include: Henry Miller, Charlie Chaplin, Ernest Hemingway, John Fante, Anais Nin, Jack Kerouac, Knut Hamsun, Yasunari Kawabata, William Saroyan, Dr. Seuss, Dylan Thomas, Julio Cortazar, Patrick Modiano, Marguerite Duras, Dylan Thomas, Haruki Murakami, Paul Auster, Raymond Carver, Sylvia Plath, David Lynch, Billie Holiday, Miles Davis, and the list goes on and on and on. Books by the Authors SMOL Fair is an alternative, virtual book fair that will be 'live' from March 19-26, 2022. This year Brian Evenson will be the keynote speaker. Not to mention, plenty of presses are getting involved and events will be happening through the week. Moreover, there will be giveaways! We have a page dedicated to SMOL Fair that will keep you up-to-date on our events and our giveaways.
You can keep informed here: https://www.unsolicitedpress.com/smolfair2022.html  Join us tonight at 5:30PM Pacific for a reading with authors Kadzi Mutizwa and Jennifer Clark. Our reading series is a yearlong expedition featuring authors with books just out or books that we published years ago. You can join the event by heading to our events calendar. No RSVP needed. About the Kadzi Mutizwa Originally from Cleveland, Ohio, Kadzi Mutizwa now lives in New York City. Living of Natural Causes is her first book. About Living of Natural Causes In these 12 humor-laced personal essays, Kadzi Mutizwa (a midwestern New Yorker) reflects on her trajectory as a high(ish)-functioning outlier. Themes taken up include mounting self-awareness, facing your foibles and failures, not giving up while becoming more measured about giving in, sucking at yoga, and gradually rising into your full authenticity. Living of Natural Causes is about recognizing how complex each of us are and should be. About Jennifer Clark JENNIFER CLARK is the author of three full-length poetry collections, most recently, A Beginner’s Guide to Heaven (Unsolicited Press). She is also the co-editor of the anthology, Immigration & Justice For Our Neighbors (Celery City Books) and editor of Michigan Roots, a Poetry Society of Michigan anthology. She’s authored a children’s book on college awareness, What Do You See In Room 21 C? (Celery City Books), and her poems, essays, and fiction have appeared in numerous literary journals, magazines, and anthologies. She lives in Kalamazoo, Michigan. Her website is jenniferclarkkzoo.com. About Kissing the World Goodbye Clark’s latest book, Kissing the World Goodbye, is a memoir infused with recipes that invites the reader to crouch down and notice the small things in life we too easily overlook. Everything in this world, no matter how small, is worthy of consideration for Clark, from isopods barreling through Tasmanian soil to the origins of childhood nicknames. Big things matter, too, like siblionic love, a term she coins in an attempt to describe the indescribable connections between siblings. Within this funny, poignant, and often tasty memoir, Clark weaves in serious issues such as the perpetual closeness of various forms of loss, and family members, particularly her sister’s, easily moving on in the face of matters that weigh Clark down. And much weighs her down: naming fish, Ernest Borgnine’s eyebrows, cell phones, instapots, and more. Bottom line: this lyrical journey reminds us life is messy, funny, fragile, and fleeting. For even as we kiss the world hello, we kiss it goodbye.  PORTLAND, OR; March 8, 2022— In What Have I Done?, Carrie Close writes, “all these little birds keep picking at me/hard, determined beaks peck through skin, scrape/against bone—they dance and chirp ominous tones…” The connection Close builds between themes of love, motherhood, and relationships hits you in the face like a taut rubber band forcing you to hone in on every last detail. Close pens a charged, feminist collection that avoids polishing for the sake of looking good.
From the Book Paper cut-out “I just want paper cut-outs to love me,” he says, as I moan into the phone and he jerks off in a Subway restroom, and I tell him about the sex I had the day before with the engineer who held my hands above my head when I told him to stop and Wedding Crashers played intermittently between commercials. About Carrie Close Carrie Close was born and raised in Maine, where she lives with her boyfriend Josh, and their two sons, Emerand and Zephyr, and their daughter Zayra. You can read more of her work at carrieclose.com. About Unsolicited Press Unsolicited Press was founded in 2012 and is based in Portland, OR. The press strives to produce exceptional works of fiction, nonfiction, and poetry from award-winning authors. Learn more at www.unsolicitedpress.com. WHAT HAVE I DONE? is available on March 8, 2022 as a paperback (120 p.; 978-1-950730-91-9) and e-book (all major retailers). The title is distributed to the trade by Ingram.   Carrie Close was born and raised in Maine, where she lives with her boyfriend Josh, their two sons, Emerand and Zephyr, and their daughter, Zarya. You can read more of her work at carrieclose.com. Her first collection of poetry and short stories, What Have I Done? is forthcoming from Unsolicited Press in March 2022. In What Have I Done? Carrie Close writes, “all these little birds keep picking at me/hard, determined beaks peck through skin, scrape/against bone—they dance and chirp ominous tones…” The connection Close builds between themes of love, motherhood, and relationships hits you in the face like a taut rubber band forcing you to zero in on every last detail. Close pens a charged, feminist collection that avoids polishing for the sake of looking good.  Former girl scout Laura LeHew is obsessed with the creepy, creaky underbelly of life and whatever lies beyond. Widely published her collections include: Dear John--(The Poetry Box) is a collection of poems that explore the multi-facets of love by using diverse points of view to reveal romantic love, loving friendships, and love that is complicated, Buyer’s Remorse (Tiger’s Eye Press—Infinities) poems on abuse, Becoming (Another New Calligraphy) a non-linear discourse on alcoholism and dementia, Willingly Would I Burn, (MoonPath Press) themed around math and science, It’s Always Night, It Always Rains, (Winterhawk Press) murder/noir and Beauty (Tiger’s Eye Press) fairy tales.
Let Widows be Widows is an elegiac collection of poetry. Using diverse points of view, Widows illuminates our various states of loss, hope, love and mourning we experience with death. This book is not a lament but rather an exploration on how we overcome grief.  PORTLAND, OR; March 1, 2022 -- Let Widows be Widows is a collection of poetry in five sections. This collection is about the dead and the living. It illuminates various states of loss, hope, love and mourning from diverse points of view.
It begins with denial. A door closing. Happenstance. We are unaware or under-aware of terminal illness or the shock of an unexpected sudden death. Words that we have left unsaid. Widows examines how we bargain with ourselves. What we tell the dying, what we tell the living. It looks at how we modify our behaviors, experiences, to try to overcome the unsolvable dilemma of death. We are witnesses, passing along the stories of our ancestors, friends, pets. It’s about those who have gone to war or faced the great unknowing, how we are each a memorial and a monument to the other. This book is about duality. When we are faced with peril, we roll a d20 die to see if it is going to affect us, and then we roll another die to determine how much damage is dealt. Every day we walk with the different sides of death, all the pieces converging windblown into our life. Finally, it is about the actions we take, our letting go, in order to overcome our grief. About Laura LeHew Former girl scout Laura LeHew is obsessed with the creepy, creaky underbelly of life and whatever lies beyond. Widely published her collections include: Dear John--(The Poetry Box) is a collection of poems that explore the multi-facets of love by using diverse points of view to reveal romantic love, loving friendships, and love that is complicated, Buyer’s Remorse (Tiger’s Eye Press—Infinities) poems on abuse, Becoming (Another New Calligraphy) a non-linear discourse on alcoholism and dementia, Willingly Would I Burn, (MoonPath Press) themed around math and science, It’s Always Night, It Always Rains, (Winterhawk Press) murder/noir and Beauty (Tiger’s Eye Press) fairy tales. About Unsolicited Press Unsolicited Press was founded in 2012 and is based in Portland, OR. The press strives to produce exceptional works of fiction, nonfiction, and poetry from award-winning authors. Learn more at www.unsolicitedpress.com. The publisher can be followed on Instagram and Twitter: @unsolicitedp Let Widows be Widows is available on March 1, 2022 as a paperback (160 p.; 978-1-956692-06-8) and e-book (all major retailers). The title is distributed to the trade by Ingram. The author is open to speaking with the media, holding readings, and engaging in other author opportunities.  PORTLAND, OR; February 28, 2022-- 21st Century Autoimmune Blues is multi-genre author Brent Terry’s fourth collection. Terry brazenly confronts subjects that are simultaneously political and personal. The undertones range from comedic to emotional, stimulating the head, heart, and gut. Every poem in this collection hums with an underlying anxiety caused by living in these fraught and sometimes dismaying times, but Terry never fails to paint a rhythmically sound image.
About Brent Terry Brent Terry has been an elementary school teacher, coach, running store manager and semi-elite runner. His poetry has won several awards and his poems, stories, reviews and journalism have appeared in many periodicals. He is the author of three collections of poetry and hundreds of unused band names. He has more pairs of running shoes than small beaches have grains of sand, and his love of Dr. Pepper is legendary. Terry lives in Connecticut, where he teaches creative writing and literature at Eastern Connecticut State University. Praise for Brent Terry “Brent Terry’s delightful messing around in his new book, with sound, with ideas, with language, with images, it’s always for a serious purpose. His poems record the things of the natural and man-made world while looking into the self, politically and with feeling. “Was there a time before beauty was ironic?“ he asks. He means that, inflicting his intricate wonders with plenty of irony and wit, but also with much real, sincere beauty. These are poems of panache, energy, and just a touch of the right kind of aggression and in all the right directions. “It was the year of weird food and devastation,“ Terry writes. 21st Century Autoimmune Blues is about who we are, who we’ve been recently, and who we Americans have always been.” --Daisy Fried About Unsolicited Press Unsolicited Press was founded in 2012 and is based in Portland, OR. The press strives to produce exceptional works of fiction, nonfiction, and poetry from award-winning authors. Learn more at www.unsolicitedpress.com. 21st Century Autoimmune Blues is available on February 28, 2022 as a paperback (110 p.; 978-1-950730-96-4) and e-book (all major retailers). The title is distributed to the trade by Ingram. ### Press only, Unsolicited Press Eric Rancino 619.354.8005 marketing@unsolicitedpress.com For artist interviews, readings, and podcasts: Brent Terry  In just one month we are releasing a long-awaited title from Mark MacDonald and Rachel Elliott: LOVE AND GENETICS. To celebrate the launch, a virtual book launch/reading will be hosted by Annie Bloom's. If you've never been to Annie Bloom's, it's a local bookstore in Multnomah Village. The reading will be held on March 22, 2022 at 5PM PST. You can RSVP here! To support the bookstore, we ask that if you plan on attending the event and buying the book, to purchase a copy from them, if possible. That's the best way we can show our appreciation for supporting authors and small press literature. About the BookWhen a family secret comes to light, lives are changed forever in this honest, beautiful, and sometimes painful memoir. When Mark, adopted at birth, set out to find his genetic family as an adult, he found something he never expected-three full-blood siblings, including a persistent sister who would alter the course of his life. He finds himself faced with the emotional task of coming to know his entire birth family, along with the unintended impact it has on his parents and his marriage. This raises age-old questions around the understanding of his own identity and his place in the world-now framed in extraordinarily real and explicit terms: What defines family? Nature or nurture? Life rarely affords such an opportunity for self-examination. The story focuses on the relationship that develops between Mark and his sister, Rachel, as they discover each other through constant letters and eventual face-to-face meetings. When Rachel learns that Mark and his wife are struggling with having children, a radical idea takes over-could she, a sister he never knew and still barely knows, one who lives on the other side of the country, possibly carry their child? Would they trust her to? Including original correspondence between Rachel, Mark, and their biological mother, Marilyn, Love & Genetics follows the events of a tumultuous year in an astonishing story of love, loss, and the meaning of family. About the AuthorsMark MacDonald is an adjunct professor at Portland State University and a principal engineer at Intel Corporation. He has authored more than forty scientific publications, for which he has received multiple awards, including the Martin Hirschorn Best Paper Prize from the International Acoustics Congress (2010).
Rachel Elliott grew up in the prairies of Alberta, Canada, yet somehow (miraculously) finds herself living outside of Raleigh, North Carolina, and became a US citizen in 2016. She works in mortgage lending and is a voracious reader. Jerrod E. Bohn has an MFA in poetry from Colorado State University. His work has appeared or is soon forthcoming in Phoebe, The Montreal Review, alice blue, FRiGG,Cleaver, SPECS, Word For/Word, smoking glue gun, Watershed Review and elsewhere.
Brent Terry has been an elementary school teacher, coach, running store manager and semi-elite runner. His poetry has won several awards and his poems, stories, reviews and journalism have appeared in many periodicals. He is the author of three collections of poetry and hundreds of unused band names. He has more pairs of running shoes than small beaches have grains of sand, and his love of Dr. Pepper is legendary. Terry lives in Connecticut, where he teaches creative writing and literature at Eastern Connecticut State University. Attend the event through our events calendar.  PORTLAND, OR; February 15, 2022— In this new collection of prose poems, Claudia Serea uses surrealism, irony, and humor to express her experiences, from growing up behind the Iron Curtain to immigrating to New York City. The first section of the book, “There Were No Magic Beans,” recalls her childhood in Romania under Nicolae Ceaușescu’s rule, a world in which terror mixes with fairy tales, nightmares, and dreams. The second section, “The Keepers of Moon Keys,” introduces a cast of peculiar characters, including folk tale protagonists, witches, ghosts, a collector of clouds, a bone music maker, a man who paints the time, and the Lord of Meanwhile. In “Dark Calligraphy,” the poet conjures history, remembering war and oppression through the eyes of a child. The reader is guided by a little girl and a museum custodian through the great traumas of recent history. In the last section of the book, “The Russian Hat,” Serea transports the reader into a metropolis as strange as the past she carries with her, to the “museum of our lives,” where “we are the curators, the visitors, and the paintings that paint themselves.” This astonishing place vaguely resembles New York City distorted by memories and dreams, but it might as well be Las Vegas where “what happens in the poem stays in the poem.” In this collection, Serea’s readers win “pound after pound of shiny poems,” the magical beans they will use to escape again and again, discovering hidden meanings with surprise and delight in each new reading.
About Claudia Serea Claudia Serea’s poems and translations have been published in Field, New Letters, Prairie Schooner, Notre Dame Review, The Malahat Review, The Puritan, Oxford Poetry, Asymptote, and elsewhere. She is the author of five other poetry collections and four chapbooks, most recently Twoxism, a collaboration with visual artist Maria Haro (8th House Publishing, 2018). Serea’s poem My Father’s Quiet Friends in Prison, 1958-1962 received the New Letters Readers Award. She won the Levure Littéraire Award for Poetry Performance, and she was featured in the documentary Poetry of Witness (2015). Serea’s poems have been translated in French, Italian, Russian, Arabic, and Farsi, and have been featured in The Writer’s Almanac. Her collection of selected poems translated into Arabic, Tonight I’ll Become a Lake into which You’ll Sink, was published in Cairo, Egypt, in 2021. Serea is a founding editor of National Translation Month, and she co-hosts The Red Wheelbarrow Poetry Readings in Rutherford, NJ. Praise for WRITING ON THE WALLS AT NIGHT "Claudia Serea’s world is as available to the senses as words can make it. Wheat, cement, earth, cities, and poppies pass through these poems steadily and true: you can trust them. This memoir is built on the unsparing consistency of Serea’s gaze. A loving gaze. Stop anywhere in this book, it will be a real place." —Andrei Codrescu, author of No Time Like Now (Pitt Series, 2016) "Writing on the Walls at Night deserves to be marveled at. Whether describing the personal or the political, the magical or the real, the bitter or the sweet, Claudia Serea evinces a poetic sensibility that is achingly empathetic and thoroughly authentic. There is not a false note in the entire collection. Indeed, these prose poems are among the most sincere, inventive, and moving being written today." —Howie Good, author of Famous Long Ago "When I say Claudia Serea’s collection is fabulous, I’m using “fabulous” in the Latinate sense of fabula—“known through fable.” These fabulous prose poems conjure the best of fairy and folk tales: This is the night when the girls wash their faces with dew, and watch how the gates of the world open, and the spirits let them see their future. We used to tie our rowboats to the lamp posts, and they floated all night next to our windows, waiting for us to jump in. These are the stories that saucer-eyed audiences gather to hear a poet-witch tell—in deep blue-green forests, under rainbows. These are the yarns our ancestresses spun on cold winter nights when the harvest was done. When I read these fabulae, I’m transported to that place where light weaves the goddesses' dresses of gold. This is a magic book." —Sharon Mesmer, author of Greetings From My Girlie Leisure Place (Bloof Books), professor of creative writing at NYU and the New School "Claudia Serea faces war with a poet’s heart. The explosions are green and they happen in spring /. . .trees shoot up bullet-shaped buds . . . / The magnolia amasses fat grenades . . . Yet in spite all of the violence of Revolution and genocide, there is beauty and power on every page. Like the statues of Lenin that were turned into something useful: wheelbarrows, / shovels, and spades for digging up the past, Serea transforms history into dark fairy tale, into survival, into pages that all of us should read and treasure." —Shaindel Beers, author of Secure Your Own Mask, Finalist for the Oregon Book Award About Unsolicited Press Unsolicited Press was founded in 2012 and is based in Portland, OR. The press strives to produce exceptional works of fiction, nonfiction, and poetry from award-winning authors. Learn more at www.unsolicitedpress.com. WRITING ON THE WALLS AT NIGHT is available on February 15, 2022 as a paperback (178 p.; 978-1-956692-01-3) and e-book (all major retailers). The title is distributed to the trade by Ingram. ### Press only, Unsolicited Press Eric Rancino 619.354.8005 marketing@unsolicitedpress.com For artist interviews, readings, and podcasts: Claudia Serea If you could cook dinner for any author, dead or alive, who would it be? What would you make?
It seems most writers, or at least the twentieth century sort I’m familiar with, have a tendency to put off dinner in favor of a prolonged cocktail hour. So maybe not so much cooking, but mixing and pouring… That said, I’d love to chat with Paul Theroux. He’s been everywhere and written so much and so eloquently. As for all the dead ones, nah. They’d likely resent being dragged back to this overheated realm just to hang out with me. What scares you the most about the writing process? How do you combat your fears? I’m not sure anything about the writing process scares me, per se, but failing to do justice to a great character or idea is certainly a worry: bobbling what should’ve been a slam-dunk, I mean. To combat this, I remind myself that writing is revision, and that time isn’t always the enemy. What doesn’t quite work today may well find its natural footing tomorrow. What books are on your nightstand? The Rock Cycle: Essays by Kevin Honold American Copper by Shann Ray Delights & Shadows by Ted Kooser Having and Being Had by Eula Biss Favorite punctuation mark? Why? As a writer of nonfiction who seeks to gain new understanding of the world as observer and participant, I’d have to go with the question mark, as it succinctly embodies the form. What book were you supposed to read in high school, but never did? Unfortunately, there are too many neglected books to name. As a kid, I was obsessed with basketball and being an athlete. It wasn’t until all of that ended that I became a dedicated reader. On the plus side, the discipline that you learn playing sports is good training for being a writer. What inanimate object would you thank in your acknowledgements? The coffee-maker, first off. But also the beer fridge. If you could write an inspirational quote on the mirrors of aspiring writers, what would you write? Abandon all hope, ye who enter here…? No, just kidding. But if aspiring writers have the correct mindset, they won’t put much stock in easy inspiration. Does writing energize or exhaust you? Both. The energized feeling is wonderful, that buzz of flowing words, the escape into the self. But the exhausting part is trickier. It never lets up, even as you improve. The reason? Because to continue improving as a writer, you have to push your boundaries and constantly work at the edge of your talent. So even though you have gotten demonstrably better, the act of writing never gets much easier. What are common traps for aspiring writers? Booze, most notoriously. That and material ambitions. And not reading enough, or trying to duck the classics, the difficult and time-consuming stuff. What is your writing Kryptonite? Like most writers, my writing Kryptonite is all the non-writing work that’s necessary to support my writing habit. Then again, that stuff is also grist for the mill. Have you ever gotten reader’s block? No. I’m skeptical of the diagnosis. Do you think someone could be a writer if they don’t feel emotions strongly? Probably not, or at least not a writer of quality fiction or memoir. That’s not to say a writer couldn’t be very reserved, very private, but genuinely cold? I doubt it. Do you want each book to stand on its own, or are you trying to build a body of work with connections between each book? Interesting question, as it seems that one author writing multiple books, unless those books were vastly different in subject and scope, almost couldn’t help but leave some overlap, some connections. What was an early experience where you learned that language had power? Growing up, my parents operated and published a small-town newspaper in the rural Midwest, and it seemed our neighbors were always either chuckling over my mother’s lighthearted column about our home life, or cursing about my father’s hardheaded political editorials. So I’ve always known that words have power, though I view it somewhat differently now, more personally. What’s your favorite under-appreciated novel? I don’t know if we can rightly call Russell Banks under-appreciated, considering his name is known and he publishes widely, but his novel Continental Drift should be read by more people. It’s extraordinary. As a writer, what would you choose as your mascot/avatar/spirit animal? A black cat, as these animals seem to keep finding their way into my life. What do you owe the real people upon whom you base your characters? Anonymity, for sure. And quite possibly a beer and a private talk, depending. But not much else. Fiction is fiction; end of story. How many unpublished and half-finished books do you have? Three currently, sadly, crushingly. What does literary success look like to you? That’s somewhat difficult to answer amid a wider culture that seems to view writing books as an esoteric hobby at best, not to mention a publishing industry with ever-narrower tastes and ever-tightening purse strings. If pressed, I’d point to the internal. If you’re consistently writing and publishing, and if you’re proud of your work line-by-line and as a whole, that’s success. What did you edit out of this book? A number of accounts of visits to very good breweries, where unfortunately no one did or said anything particularly weird, shocking, or funny, and also a ton of fascinating stuff from Burton’s Anatomy of Melancholy that I couldn’t figure out how to shoehorn in. If you didn’t write, what would you do for work? Well, I write and I work, so I suppose I’d continue to be a teacher and a bartender, though probably a less interesting, less dynamic version of both. Without writing, the real question would be: how in the hell to spend my mornings?  Claudia Serea’s poems and translations have been published in Field, New Letters, Prairie Schooner, Notre Dame Review, The Malahat Review, The Puritan, Oxford Poetry, Asymptote, and elsewhere. She is the author of five other poetry collections and four chapbooks, most recently Twoxism, a collaboration with visual artist Maria Haro (8th House Publishing, 2018). Serea’s poem My Father’s Quiet Friends in Prison, 1958-1962 received the New Letters Readers Award. She won the Levure Littéraire Award for Poetry Performance, and she was featured in the documentary Poetry of Witness (2015). Serea’s poems have been translated in French, Italian, Arabic, and Farsi, and have been featured in The Writer’s Almanac. Her collection of selected poems translated into Arabic, Tonight I’ll Become a Lake into which You’ll Sink, was published in Cairo, Egypt, in 2021. Serea is a founding editor of National Translation Month, and she co-hosts The Red Wheelbarrow Poetry Readings in Rutherford, NJ.
Darci Schummer is a writer and educator living in Duluth, Minnesota. Primarily a fiction writer, she is the author of the story collection Six Months in the Midwest (Unsolicited Press), co-author of the poetry/prose collaboration Hinge (broadcraft press), and her work has appeared in Ninth Letter (web edition), Folio, Jet Fuel Review, Matchbook, American Fiction 17, Necessary Fiction, Midway Journal, Paper Darts, and Pithead Chapel, among other places. She has been nominated both for the Pushcart Prize and Best of the Net, and her work has also been selected as a Longform Fiction Pick of the Week. She teaches writing and edits The Thunderbird Review at Fond du Lac Tribal and Community College and lives in a big old house with her husband Tanner, pitbull Turnip, and cat Cokie Roberts. Currently, Darci is working on a novel, another short story collection, and a chapbook of poetry.  PORTLAND, OR; February 9, 2022— A CLOSET FEMINIST follows the misadventures of 20-something Bella Hirsch as she navigates the world of work and the mystery of sudden romance. Bella hops from New York’s whirlwind to a tony grad school in Philadelphia, and discovers not just love, but a surprising ambition. Fast-paced and witty, this is a romantic comedy with a morality tale wrapped inside.
About Carla Sarett Carla Sarett is a poet, essayist and fiction writer based in San Francisco. Her work has appeared in Thimble, Blue Unicorn, San Pedro River Review, Naugatuck River Review, ONE Art, Hobart Pulp, Across the Margins, Prole and elsewhere; her essays have been nominated for the Pushcart Prize and Best American Essays. THE LOOKING GLASS, a novella, (Propertius Press) was published in October, 2021. Carla has a Ph.D. from University of Pennsylvania. A CLOSET FEMINIST is her debut novel. Praise for A CLOSET FEMINIST "Sarett’s penetrating observation couples with her sparkling prose to bring new life and vigour to the popular theme of reinvention of the self. Warm, funny and a wonderful read from both the entertainment and the literary point of view, A Closet Feminist crackles with life on every rapidly-turning page."--Tabitha Ormiston-Smith, author of Barefoot Tango "I'm in love with Bella. She's satrical. She's self-deprecating. She's in love and she's in trouble. And somehow, despite her sense of being moderately ordinary except for her taste in vintage dresses, a trio of gorgeous, creative and successful men share my reaction to Bella, the heroine of Carla Sarett's brilliantly funny and romantic novel A Closet Feminist. They're all in love with Bella." --Dan Essman, author An Apostle at the Kit Kat About Unsolicited Press Unsolicited Press was founded in 2012 and is based in Portland, OR. The press strives to produce exceptional works of fiction, nonfiction, and poetry from award-winning authors. Learn more at www.unsolicitedpress.com. A CLOSET FEMINIST is available on February 9, 2022 as a paperback (232 p.; 978-1-956692-02-0) and e-book (all major retailers). The title is distributed to the trade by Ingram. ### Press only, Unsolicited Press Eric Rancino 619.354.8005 marketing@unsolicitedpress.com For artist interviews, readings, and podcasts: Carla Sarett  Douglas Cole has published four collections of poetry. His work appears in journals such as The Chicago Quarterly Review, Chiron, The Galway Review, The Pinyon Review, Solstice, Eastern Iowa Review, Kentucky Review, Wisconsin Review, and Slipstream. He has been nominated for a Pushcart and Best of the Net, and has received the Leslie Hunt Memorial Prize in Poetry; the Best of Poetry Award from Clapboard House; First Prize in the “Picture Worth 500 Words” from Tattoo Highway. His website is douglastcole.com. Dan Gutstein is the author of non/fiction (stories, 2010), Bloodcoal & Honey (poems, 2011), and Buildings Without Murders (novel, 2020). His writing has appeared in more than 100 journals and anthologies, including Ploughshares, American Scholar, Best American Poetry, The Penguin Book of the Sonnet, TriQuarterly, The Iowa Review, and Prairie Schooner. He has been the recipient of grants and awards from the Bread Loaf Writers’ Conference, the Maryland State Arts Council, and the University of Michigan, where he was a Colby Fellow. In addition to writing activities, he is vocalist for punk-jazz band Joy on Fire, who will be performing a Tiny Desk Concert at NPR in July 2020, and co-director of a forthcoming documentary film, Li’l Liza Jane: A Movie About A Song. At present, he is a nomad, dividing his time between the crashable couches of Trenton, N.J. and other scenic overlooks. If you could cook dinner for any author, dead or alive, who would it be? What would you make?
The ghost of Clarice Lispector. Although, whatever I make, she rejects. So, we call out for delivery and she orders something -- apple turnovers -- that aren’t on the menu, and lots of them! The restaurant is terrified, but they comply. What scares you the most about the writing process? How do you combat your fears? That the thing will suck, after I’ve written it, and after I’ve revised it. I often combat my fears by drinking a stout or two. In all seriousness, there is no combatting this particular fear -- except to keep on writing. The more chances you give yourself -- to not suck -- the greater your chances are of not sucking. Who is your biggest literary crush, author or character? I can’t answer this question honestly. The safe answer would be the character Anna Karenina. Is that crazy or what? Maybe Faye Greener from The Day of the Locust. The fiction writer Lucia Berlin, maybe. There is a living writer, (at least I think she’s still alive), who nearly jumped off my old rooftop, but I can’t say what her name is, fml. What books are on your nightstand? Margaret Walker’s novel Jubilee. Sandra Simonds’ poetry collection Warsaw Bikini. A good friend sent me some Japanese novels. Carl Sandburg’s folk music collection The American Songbag. Well, that’s not quite true. It’s a PDF, that’s on my computer, which is on my nightstand. Favorite punctuation mark? Why? The parentheses because they’re very suggestive. What book were you supposed to read in high school, but never did? There were quite a few. MacBeth was one. I read it later. It’s a blast. What inanimate object would you thank in your acknowledgements? I couldn’t think of anything and then for some reason my mind said “Potato masher.” Why not? Love the “puree.” If you could write an inspirational quote on the mirrors of aspiring writers, what would you write? That’s a lot of mirrors. I’d probably keep it short, to save time: “You Are Closer Than You Actually Appear.” Does writing energize or exhaust you? Writing is exhausting, but revision is energizing. What are common traps for aspiring writers? Defensiveness. Especially the one that goes “This really happened.” Just because it may have transpired doesn’t necessarily make it a good piece of writing. What is your writing Kryptonite? My colossal weakness for mischief-making. Have you ever gotten reader’s block? No. Do you think someone could be a writer if they don’t feel emotions strongly? Yes and no. Yes, because they could feel those emotions for, say, a “colder” thing like language, which would actually make language warm, ha ha. But if they felt no emotions at all, that would be pretty tough. What other authors are you friends with, and how do they help you become a better writer? I used to know only, like, poets and fiction writers. But in the past couple years, I’ve become friends with people who’ve written scholarship books, and this form of writing turns out to be incredibly difficult and admirable. But to answer the question, let’s take my friend Rod Smith, the nutty experimental poet. The key thing about Rod, though, is that every so often, he gets serious and it’s surprising, and effective. He says “doot doo” and he sneaks up on you, and gets you good. Do you want each book to stand on its own, or are you trying to build a body of work with connections between each book? Each book has to stand on its own. Occasionally, you need to pick it up and fend off some kind of avant garde attack. It’s good to have a sturdy book, in hand. How did publishing your first book change your process of writing? A first book is a real treasure, because it’s amazing to have something in your hands, to show friends and family. At the same time, you put yourself out there, and if it’s not perfect, which it isn’t, you’re sort of baring your soul, publicly. So, what happens is, the next books become a quest to master the form of the book, if that’s even possible. What was the best money you ever spent as a writer? My mind said things like Coltrane records and fresh ginger. Wtf? You’d have to say Coltrane records, but ginger is very good, mmmmm. What authors did you dislike at first but grew into? Virtually all of them. The thing is, you have to be skeptical, because if you do the opposite, if you just love everything, then you might as well strip off your clothes and run amok in the middle of the big city. Perhaps it was the language poets, though, most of all. I thought that was bullshit at first, but then some of the writing really struck me as being -- precisely the kind of thing -- that enables language to evolve. And that really is the work of poetry. What was an early experience where you learned that language had power? Well, it’s mostly about rejection. I mean, the language of rejection is powerful. Debilitating, really, but it’s also powerful to agitate against rejection. Lots of electricity in that dynamic. What’s your favorite under-appreciated novel? That’s a tough one. Maybe Trout Fishing in America by Richard Brautigan? As a writer, what would you choose as your mascot/avatar/spirit animal? The fox. I actually have a fox friend. During the pandemic, this happened. She used to wait for me every evening when I’d go out for a run or a walk. She’d just be waiting near the woods, with that big tail curled behind her. Just brilliant stuff. And then we’d jog along together for a little while until she drifted off. Once, I got within a few feet of her and she nibbled my hand, briefly. Magic. What do you owe the real people upon whom you base your characters? Absolutely nothing, hahahaha. How many unpublished and half-finished books do you have? Too many to count. Most writers are like this. You’ve just got to be practical and keep pressing forward, take chunks of this and bits of that, and fashion it all together in the best combinations. “Be ruthless in your practicality.” What does literary success look like to you? Too many people associate success with money and in the end that is the dumbest thing I’ve ever heard. The vast majority of big money books really blow, but I guess the authors are comfortable. The answer is -- a risk-taking book that’s really tight. Very hard to come by. What’s the best way to market your books? Readings. Be a performer! What’s the most difficult thing about writing characters from the opposite sex? You start to desire them, romantically. It gets kind of frustrating. What did you edit out of this book? Mostly, what you guys didn’t like. Hahaha. No, I think we dropped some loose language and vague kind of stuff. I really appreciated the feedback! If you didn’t write, what would you do for work? Something that involves robes and lotions. No, in all seriousness, I’d probably be a professional potato masher.  PORTLAND, OR; February 2, 2022-- Our topnotch team of data-driven barflies has been puzzling-out, nay, teasing-out the concentric layers inherent to Metacarpalism, by examining the thing’s, ehh, annual rings. Or maybe Metacarpalism functions as a series of intersecting circles -- kind of like the rings left by our shot glasses on the bar. Because, yes! You’ve got a self-referential (“Meta”) exploration of applause (“carpal”) aligning itself with (“ism”) a tender, tender moment [c.f., “love making”] that nevertheless flips us off. And there you are, atmospherically speaking: popsicle flubbers.
Okay, let’s try this again. We’ve been meaning to discuss with you the whereabouts of the potato masher. Look: please: please: tell us, tell us immediately where you placed it, because by now, we are worried for its safety. We would like to restore the device to its rightful place on the granite countertop beside the lone ripening pluot. Does this ring a bell bottom? In short, Metacarpalism offers you cotton tube socks (with the ridiculous green stripes) when you require a change of t-shirt. It’s three a.m. You can see your breath. Above you, a preposterous ruckus of blue jays caucuses amid the alloys of their copious disagreements. You could receive one parcel of nibbled government stimulus fromage or one parcel of nibbled government stimulus crayons. When along comes Metacarpalism via Media Mail. Nibbled! The days are growing longer and just maybe, this book has anticipated your request. Just maybe, all will be forgiven. About Dan Gutstein Dan Gutstein is the author of non/fiction (stories, 2010), Bloodcoal & Honey (poems, 2011), and Buildings Without Murders (novel, 2020). His writing has appeared in more than 100 journals and anthologies, including Ploughshares, American Scholar, Best American Poetry, The Penguin Book of the Sonnet, TriQuarterly, The Iowa Review, and Prairie Schooner. He has been the recipient of grants and awards from the Bread Loaf Writers’ Conference, the Maryland State Arts Council, UnitedStatesArtists, Women in Film & Video, and Emory University. In addition to writing activities, he is vocalist for punk band Joy on Fire, who will be performing a Tiny Desk Concert at NPR, and co-director of a forthcoming documentary film, Li’l Liza Jane: The Story of America Through the History of a Song. At present, he is a nomad, dividing his time between the crashable couches of Trenton, N.J. and other scenic overlooks. About Unsolicited Press Unsolicited Press was founded in 2012 and is based in Portland, OR. The press strives to produce exceptional works of fiction, nonfiction, and poetry from award-winning authors. Learn more at www.unsolicitedpress.com. The publisher can be followed on Instagram and Twitter: @unsolicitedp METACARPALISM is available on February 2, 2022 as a paperback (98 p.; 978-1-956692-05-1) and e-book (all major retailers). The title is distributed to the trade by Ingram. The author is open to speaking with the media, holding readings, and engaging in other author opportunities. ### Press only, Unsolicited Press Eric Rancino 619.354.8005 marketing@unsolicitedpress.com Who is your biggest literary crush, author or character?
Muriel Spark is my idol, she is funny and lyrical and everything a writer should be. What books are on your nightstand? P.G. Wodehouse for laughter. And lots of poetry-- from Shakespeare to Robert Frost to Louise Gluck. My heroine quotes a lot or poetry, and so do I when I’m not writing it. Favorite punctuation mark? Why? SEMICOLON because it’s rarely used these day. I don’t admire short choppy sentences all that much. . If you could write an inspirational quote on the mirrors of aspiring writers, what would you write? Read as much as possible, and then read more. Don’t think, don’t take a course, just write. What are common traps for aspiring writers? Wordiness and trying to use fancy words when plain ones work fine. What is your writing Kryptonite? READING! And also listening to music. Have you ever gotten writer’s block? No, I just write something different. Sometimes, writing needs to be put aside, and I work on a completely different sort of piece. Do you think someone could be a writer if they don’t feel emotions strongly? I assume we’re talking fiction. I don’t think all fiction is highly emotional-- science fiction, for example, often depends on ideas, not feelings. But my kind of writing does depend on feeling. I often laugh and cry as I am writing dialogue. Do you want each book to stand on its own, or are you trying to build a body of work with connections between each book? On its own, I hope. I write in many different genres, including poetry, but astute readers can find links-- movies, for example, flow through everything. What authors did you dislike at first but grew into? Agatha Christie. I hated her as a young woman, but now I enjoy her tight plots and wonderful sense of humor. What was an early experience where you learned that language had power? My older brother read me Edgar Allen Poe at bedtime, and wow, that was it. What’s your favorite under-appreciated novel? Oooh, many, but I highly recommend MISS MOLE by E.H. Young, which is feminist, and soulful, and also, bravely has an optimistic ending. What’s the most difficult thing about writing characters from the opposite sex? I enjoy writing men, and feel sort gender-fluid when I am writing from a male POV. I think all fiction writers have this gender-switching trick in their brain. I think many male writers like Henry James write terrific women. What did you edit out of this book? This book was shortened considerably from its original version. I took out a lot of chapters that were funny, yes, but didn’t move the plot along. I’m ruthless when it comes to editing. If you didn’t write, what would you do for work? I did work successfully as a market researcher, and I enjoyed it very much. Like Bella in Closet Feminist, I have an analytical mind, and like using it. Market research involves understanding people, just in a different way from fiction writing.  PORTLAND, OR; January 31, 2022-- The Souls of Others is a powerful essay collection by American Book Award winner Shann Ray. Ray depicts the American west as both magnificent and destitute. The mountains are alive. The people are gritty and resilient. Nature offers its bounty but never gives it with ease. Ray, having spent part of his childhood on the Northern Cheyenne reservation, expertly paints a place of family, sorrow, and a connection to Mother Nature that so many Americans have lost.
About Shann Ray Poet, short story writer, and novelist Shann Ray grew up in Montana and Alaska and spent part of his childhood on the Northern Cheyenne reservation. His work has been featured in Poetry, Esquire, McSweeney's, Prairie Schooner, Big Sky Journal, Narrative, and Salon. A National Endowment for the Arts Fellow and winner of the American Book Award and the High Plains Book Award, he is the author of American Masculine, American Copper, Atomic Theory 432, Balefire, Sweetclover, and Forgiveness and Power in the Age of Atrocity. A clinical psychologist specializing in the psychology of men, he teaches leadership and forgiveness studies at Gonzaga University. Because of his wife and three daughters, he believes in love. About Unsolicited Press Unsolicited Press was founded in 2012 and is based in Portland, OR. The press strives to produce exceptional works of fiction, nonfiction, and poetry from award-winning authors. Learn more at www.unsolicitedpress.com. The publisher can be followed on Instagram and Twitter: @unsolicitedp The Souls of Others is available on January 31, 2022 as a paperback (266 p.; 978-1-956692-00-6) and e-book (all major retailers). The title is distributed to the trade by Ingram. The author is open to speaking with the media, holding readings, and engaging in other author opportunities. |
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